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Neumann
Parent Category   Condenser Microphones Neumann

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Neumann U 47 fet
By afterglow479 on 09/29/2008 at 00:52

Characteristics  
This mic is a an old large diaphragm condenser that has been around forever. I think they are no longer made, but they are still around in relatively large numbers. These mics have been used on the lead vocals of countless huge recordings, and not to mention as instrument mics on many others. This is an extraordinary mic, and there are very few things that don't sound good through one. It is a condenser, so it does require power in order to work. It also connects with a standard XLR mic cable. The pickup pattern is a cardioid. These are very expensive, so don't let them out of the studio unless you are super rich and can afford to replace it. These do have a high allowance for SPL, so people frequently stick them in front of a kick drum to get more definition on it.
Overall Opinion  
These have been around since before I was born, and I've been using them for years. Everything about this mic smacks of quality, from the build to the sound quality. These are one of the finest condenser mics available. Vocals tend to sound perfect through them, so you can worry a lot less about EQ. I have tried a wide range of condenser mics, and this one is fantastic. The value is only okay, because they are so expensive. You definitely get an amazing mic for your money though. Another great use for these is for room mics. These are very sensitive, so you can hear the small articulations in your room, which is a great thing if it's a good sounding room to begin with. There's a reason that these have been around for so long - they really do work magic on most anything you record with it. I don't own one, but I have used them many times. I wish I could get one!
[ More info : Neumann ]
Neumann KM 184
By afterglow479 on 09/28/2008 at 23:36

Characteristics  
This is a small diaphragm condenser mic, often called a pencil mic. They are condensers so they require +48V phantom power in order to work. You connect them with a standard XLR mic cable. These have a set pickup pattern, which is cardioid. The KM line does come in other pickup patterns, so beware in case you are under the impression that these have switchable patterns, like I was for a while. These are pricey and very high quality, so if you take them out of the studio you will want to be very careful. I was once in a session where one hit the floor, and it was done for - so you can be sure that they are pretty fragile.
Overall Opinion  
I have been using these for many years, they are somewhat of a staple in many studios. These are some of the best you can get for small diaphragm condensers. The sound you get from these is totally crystal clear, and putting up two of these and recording in stereo will get you a truly realistic stereo image. For that reason, they are also sold in stereo pairs. Since they are small diaphragm, these are great with high frequencies and transients. Because of that they are very well suited to use as drum overheads, and stereo mics for a piano. I especially recommend using these on piano - they can really help highlight those harmonics and overtones that can unfortunately can get lost with a lower quality mic. These will also usually come with a detachable wind screen, mic clips, and a nice wooden box from Neumann. These mics are also my secret weapon for recording acoustic guitar. Put one of these on the neck of the guitar, and a large diaphragm condenser on the body and you're in heaven! These are expensive but definitely worth it if you want the best. I would get them again in a heartbeat.
[ More info : Neumann ]
Neumann U 87
By JackLudden on 08/10/2008 at 13:24 Music is your Profession.

Characteristics  
This is of course the legendary U87. Many would argue that this is the industry standard for recording great vocals. It is a large diaphragm condenser with a switchable polar pattern (cardioid, omni, and figure 8), an attenuation pad, and a high pass-filter (both switchable).
Overall Opinion  
I have owned one for about 2 years. It is very hard to beat this mic on vocals. Recordings sound wonderfully accurate, clear, and open, with very sweet highs. In addition to being great on vocals, it really does sound good on almost anything you stick in front of it. I use it frequently for acoustic guitar and solo violins, and sometimes on electric guitar cabs. I only have one and haven't tried it, but many people use these as high-end drum overheads or room mics.

They are also quite popular for use in recording classical music, when very accurate response is demanded. The switchable polar pattern is a great feature on this mic, as it makes it almost 3 mics in one. If you have a couple of these, putting one in figure 8 and one in cardioid lets use the M/S stereo technique, which is great for adding variable width to recorded sources. I have used a wide variety of large diaphragm condensers, and this one really does live up to its reputation. Singers who have never used one are often wowed when they hear their voice back by just how accurate and lifelike their voice sounds when recorded by a U87. They are built to a very high standard, so you can count on them not to junk out on you as well - they're built to last.

At nearly $3,000, they are certainly not cheap. But for anyone who wants to get some truly great sounding vocal recordings, this is the thing to save up for. You won't regret it. I would absolutely buy it again - I'm almost never disappointed with the results I get with the U87.
[ More info : Neumann ]
Neumann TLM 103
By moosers on 03/24/2008 at 17:33 Music is your Profession.

Characteristics  
I've used the Neumann TLM103 strictly in the studio on everything from vocals to banjo to acoustic guitar. It is great for any and all applications that you would typically use a large diaphragm condenser mic for. The only thing I wasn't happy about was that with the regular model (not the Anniversary edition) I had to purchase a separate shockmount; however, the clip that comes with the mic works fine as well if you don't care about having a shockmount for it.
Overall Opinion  
I've had the TLM103 about a year and a half and I have had nothing but good times with it. It's got such a clear and crisp sound. I've used a ton of different Neumann mics (U87, U67, etc) and although this isn't as great as those classic mics, it definitely holds its own. A friend of mine did a shootout between this mic and the U87 and said he really couldn't see much of a different, except of course for the $2000 extra the U87 will run you. Although it may be a bit pricey for a small studio setting, if you are looking for a real quality mic, this is about the cheapest you can get from a company who makes the best mics on earth. I wouldn't trade this mic for any other in its price range.
[ More info : Neumann ]